Le moi minimaliste dans Mes mauvaises pensées

Abstract

Sometimes named by literary critic as a descendant of Marguerite Duras, the conception of her work seeks above all to represent the ambivalence of a fragmented intimate self, as well as the sexual and amorous between-two. In relation to his writing, in Mes mauvaises pensées Nina Bouraoui reveals through a process of deconstruction/ construction, a writing of the self that condenses processes that recall on certain occasions the nature of texts with component Minimalist. If the presence of the double is permanent in the narrative, the use of the minimalist writing will allow to formulate the presence of the autobiographical self, as well as its relationship to the world.