Chanson, circulation et mémoire: l’exemple de Sou eu mesmo, o trocado – Non, je ne regrette rien de Maria Bethânia

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URI: http://hdl.handle.net/10498/30067

DOI: 10.15448/1984-4301.2018.S.30818

ISSN: 1984-4301

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Author/s
López Muñoz, Juan ManuelAuthority UCA; Andrade, Rafael Batista
Date
2018
Department
Filología Francesa e Inglesa
Source
Letrônica, v. 11, n. esp. (supl. 1), s12-s24
Abstract
In this paper, we present an analysis of Maria Bethânia’s dialogic song Sou eu mesmo, o trocado – Non, je ne regrette rien (2016) based on the theory of speech circulation developed by the group Ci-Dit (especially LÓPEZ-MUÑOZ; MARNETTE; ROSIER, 2009) and the Maingueneau's contribution to discourse analysis. Our study reveals the effectiveness of these theories for a discursive (re)categorization of generically hybrid texts.
Subjects
Memory; Discourse; Paratopy; Scenography; Song; Poetry
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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
This work is under a Creative Commons License Attribution-NonCommercial-NoDerivatives 4.0 Internacional