Chanson, circulation et mémoire: l’exemple de Sou eu mesmo, o trocado – Non, je ne regrette rien de Maria Bethânia

dc.contributor.author	López Muñoz, Juan Manuel
dc.contributor.author	Andrade, Rafael Batista
dc.contributor.other	Filología Francesa e Inglesa	es_ES
dc.date.accessioned	2024-01-18T11:39:39Z
dc.date.available	2024-01-18T11:39:39Z
dc.date.issued	2018
dc.identifier.issn	1984-4301
dc.identifier.uri	http://hdl.handle.net/10498/30067
dc.description.abstract	In this paper, we present an analysis of Maria Bethânia’s dialogic song Sou eu mesmo, o trocado – Non, je ne regrette rien (2016) based on the theory of speech circulation developed by the group Ci-Dit (especially LÓPEZ-MUÑOZ; MARNETTE; ROSIER, 2009) and the Maingueneau's contribution to discourse analysis. Our study reveals the effectiveness of these theories for a discursive (re)categorization of generically hybrid texts.	es_ES
dc.format	application/pdf	es_ES
dc.language.iso	fra	es_ES
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Internacional	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.source	Letrônica, v. 11, n. esp. (supl. 1), s12-s24	es_ES
dc.subject	Memory	es_ES
dc.subject	Discourse	es_ES
dc.subject	Paratopy	es_ES
dc.subject	Scenography	es_ES
dc.subject	Song	es_ES
dc.subject	Poetry	es_ES
dc.title	Chanson, circulation et mémoire: l’exemple de Sou eu mesmo, o trocado – Non, je ne regrette rien de Maria Bethânia	es_ES
dc.type	journal article	es_ES
dc.rights.accessRights	open access	es_ES
dc.identifier.doi	10.15448/1984-4301.2018.S.30818
dc.type.hasVersion	VoR	es_ES

This work is under a Creative Commons License Attribution-NonCommercial-NoDerivatives 4.0 Internacional